SELECTED WRITING
FILM CRITICISM · 2025
Philip (Kuchar) the Unbeloved
An examination of George Kuchar’s Hold Me While I’m Naked as a camp self-portrait, tracing performance, materiality, failed communication, and the filmmaker who can inhabit every role except the Beloved. The essay follows Kuchar through Director, Actress, Mother, and Bird before widening into a reading of telephones, antennas, film, and other technologies that promise connection while repeatedly producing static and isolation.
FILM CRITICISM · 2025
A House by Hens
A reading of Agnès Varda’s 7 p., cuis., s. de b. through the house as an egg, tracing domesticity, gender, aging, memory, reproduction, and escape. The essay uses the domestic egg as an organizing metaphor for a structure that can incubate, contain, protect, suffocate, reproduce, and eventually crack.
ART CRITICISM · 2026
Mike Cloud, Worldless Obstructions
A review of Mike Cloud’s Worldless Obstructions, considering abstraction as a shifting system through which media, politics, materiality, and contemporary life are continually reorganized. Cloud’s recurring symbols, hinges, exposed structures, and unstable spatial configurations become a way of thinking about information that accumulates without ever settling into a singular meaning.
ART CRITICISM · 2026
Dabin Ahn, Nocturne
A review of Dabin Ahn’s Nocturne, examining fragmentation, memory, cultural inheritance, and the material forms through which the past is continually reconstructed but never fully recovered. The essay moves through candles, mother-of-pearl inlay, celadon, cranes, digital imagery, and migration to consider meaning that persists without resolution.